{if condition="$obj.vod_points gt 0"}

刀锋资源网

关于在短时间内的某几个人的经过

guanyuzaiduanshijianneidemoujigerendejingguo

电影

/ 短片/ 剧情/

1959 法国

立即播放

导演：

/ 居伊·德波/

主演：

/ 未知/

上映：

未知

更新：

2024-04-28 17:04:26，最后更新于 10月前

备注：

HD中字

评价：

TAG：

关于在短时间内的某几个人的经过 male&quot professionalannouncer&quot type Thisneighborhood wasmadefo

剧情：

Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.　　These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.　　Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.　　Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.　　Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.　　The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.　　Our camera has captured for you a few aspects of a provisional microsociety.　　The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.　　This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.　　The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...　　Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...�　　Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.　　Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.　　On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.　　Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.　　Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.　　Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.　　Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.　　The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.　　What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.　　Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.　　Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.　　Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.　　Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.　　Voice 2 Years, like a single instant prolonged to this point, come to an end.　　Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.　　Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being kept　　Voice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.　　Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.　　Voice 1 Really hard to drink more.　　Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.　　Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.　　Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.　　The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.　　To really describe this era it would no doubt be necessary to show many other things. But what would be the point　　Better to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.　　1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s. 收起

选集播放:

切换线路

播放节点列表

无尽资源1

选集

选集排序

HD中字

正在热播

2024 国产剧中国大陆

独家推荐

披荆斩棘的大小姐

徐璐魏哲鸣刘些宁吴崇轩程金铭杨舒亦邓靖弘

温婉恬静的罗家大小姐罗爱莲，因突如其来的灾难，一夜间失去了一切，从人间富贵花被打入泥潭。经历重重困境，最终经历过九死一生的罗爱莲凤凰涅槃成为能文能武的镖局大小姐沈丹青（徐璐饰），从此浴火重生，踏上手

披荆斩棘的大小姐

全24集

2024 喜剧片中国大陆

独家推荐

飞驰人生2

沈腾范丞丞尹正张本煜孙艺洲魏翔贾冰郑恺冯绍峰黄景瑜刘昊然于适胡先煦阎鹤祥周野芒高华阳孙强范高翔郝瀚

昔日冠军车手张驰（沈腾饰）沦为落魄驾校教练，过着靠脸吃饭勉强度日的生活。不料天上掉馅饼，濒临停产的老头乐车厂厂长（贾冰饰）主动提出赞助张驰组建车队再闯最后一届巴音布鲁克拉力赛。面对这泼天的富贵，张

飞驰人生2

2024 恐怖片中国大陆

独家推荐

僵尸古刹

杜奕衡刘心艺葛帅沈保平吕熙尤金迪玛刘頔孙蛟龙岳冬峰

晚清时期，英军入侵广州。而此时，三元里的一处古刹，竟惊现僵尸袭人，闹得全城人心惶惶。接连不断的僵尸袭击事件，也影响到了鸦片的入境，令英军首领罗伯茨大怒。为绝后患，罗伯茨带领英军歼灭僵尸，然而在前往古刹

僵尸古刹

2021 动作片美国

独家推荐

哥斯拉大战金刚

这两位宛如神衹一般强大的对手于一场壮观的战争中相遇，彼时世界命运正悬于一线。为了找到真正的家园，金刚与他的保护者们踏上了一次艰难的旅程。与他们一道前行的还有一个年轻的孤儿女孩——吉雅，这个女孩与金刚之

哥斯拉大战金刚

2024 喜剧片中国大陆

独家推荐

第二十条

这一年的不容易谁能懂？自打挂职到市检察院，韩明（雷佳音饰）的糟心事就接二连三。儿子韩雨辰（刘耀文饰）打了校领导（张译饰）儿子并拒绝道歉，妻子李茂娟（马丽饰）义愤填膺继而揍了校领导，补刀成功；搭

第二十条

HD中字

2021 剧情片中国大陆

独家推荐

峰爆

一座修建十年的隧道即将竣工之际，受全球地质变动影响，地裂、地震、山体滑坡、泥石流等一系列地质灾害呼啸而至，隧道与整个县城危在旦夕，“老洪”洪赟兵（黄志忠饰）、“小洪”洪翼舟（朱一龙饰）父子俩于绝境

峰爆

1080P

2021 喜剧片中国大陆

独家推荐

新逃学威龙

张浩黄一山黄一飞罗家英童飞

时隔30年，《逃学威龙》再次开拍，这次没有“星爷”加盟，不过参演的都是当年的老戏骨，比如黄一山、黄一飞等。　　《新逃学威龙》目前在海南顺利杀青。从1991年的《逃学威龙》到2021年的《新逃学威龙

新逃学威龙

2021 科幻片美国

独家推荐

毒液2

电影讲述了外星共生体“毒液”与宿主埃迪（汤姆·哈迪饰）这对“最佳拍档”遇上致命反派共生体“卡内奇”（伍迪·哈里森饰），超级英雄和邪恶反派的宿命之战即将开始。

毒液2

HD官方中字

2024 科幻片中国大陆

独家推荐

吞天巨鲨

陈外程爽成止微秦宇

太平洋某座生物研究所内，最新研究的鱼类加速繁殖计划得到了突破，并在繁殖力极低的鲨鱼身上试验成功。实验室的科学家们大喜过望，称这项研究将彻底解决全球食物问题。只有总负责人博士袁聪认为此举会破坏现有的生态

吞天巨鲨

2024 动作片中国大陆

独家推荐

绣春刀：无间炼狱

李晨浩杨轶美娜袁祥仁

明朝天启年间，阉党权倾朝野，江湖盗匪猖獗，少年流寇季显（李晨浩饰）意外顶替锦衣卫的身份，却被卷入王朝颠覆的阴谋。生死危机的倒计时，出身与本心的对立，与其苟活乱世，不如拼死一战，换个活法。

绣春刀：无间炼狱

2022 国产动漫大陆

独家推荐

与君行

内详

中原王朝大兴国，一起隐秘的陈年旧事，引发当朝贤相身陷囹圄，家破人亡，不谙世事的相府大小姐受尽苦楚，一心寻找背后真相，与那远离朝堂纷争的二皇子相遇，遂女扮男装，伴其左右，潜伏在暗中调查自家冤案，在寻找真

与君行

更新至第20集

2023 国产动漫中国大陆

独家推荐

西行纪年番

内详

三尊苏醒，孙悟空助天神度过危机。西行小队离散后，沙悟净下阴界救师父;八戒在黑水镇因过失而害死人;白狼小羽在恐怖森林收服一虎，又在古城被石兵围困，三藏等人归来解围，却又遇上暗影天王，悟空归队助战。三藏化

西行纪年番

更新至33集

2024 爱情片大陆

独家推荐

画皮：情灭

钟欣潼李明轩

东海龙女阿若一心寻找心爱之人，不计一切代价来到了凡人王生身边，而狐妖小蛮想要得到龙女身上的至宝灵叶，设计抓破了王生的心，阿若不得已用灵叶为王生补心，于是两女以王生为中心展开了一场”夺心”的较量。

画皮：情灭

2021 动作片英国,美国

独家推荐

007无暇赴死

世界局势波诡云谲，再度出山的邦德（丹尼尔·克雷格饰）面临有史以来空前的危机，传奇特工007的故事在本片中达到高潮。新老角色集结亮相，蕾雅·赛杜回归，二度饰演邦女郎玛德琳。系列最恐怖反派萨芬（拉米·马

007无暇赴死

2021 恐怖片美国

独家推荐

幸存危机

布鲁斯·威利斯

当一个警察和一对危险的罪犯出现时，一个人在农场的生活被打断了。

幸存危机

关于在短时间内的某几个人的经过

guanyuzaiduanshijianneidemoujigerendejingguo

选集播放:

相关影片

正在热播

公告内容

域名列表